12/4/2020 0 Comments Justin Timberlake 20 20 Album
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![]() Along with co-producer Jerome J-Roc Harmon and fellow songwriter James Fauntleroy, the Tims have made a refined and distended follow-up to FutureSexLoveSounds. Seventy minutes in duration, its only four minutes longer but contains two fewer songs and maybe half as many ideas. Opener Pusher Love Girl sets the tone for the program; the first three of its eight minutes would make for an elegant sweet-soul introduction, but Timberlake s extended drug-metaphor testimonial over a flat, faintly shifting beat dulls the mind rather than hypnotizes it. Strawberry Bubblegum recalls a time when groups like the S.O.S. Band and 52nd Street released extended mixes of club ballads, though the bottom isnt as thick, and it comes with three bonus minutes of Sly Stone -style rhythm box puttering that facilitates more metaphorical macking. Around its 5:20 mark, Mirrors switches from an ideally shaped heartfelt ballad of devotion into a slog. By the seventh drifting minute, it prompts questions like Is this where the stage hands will change sets and Is this actually about himself Few songs are dynamic enough to justify their length. Let the Groove Get In, something like a modernized hybrid of Michael Jackson s Wanna Be Starting Something and Lionel Richie s All Night Long, is undeniably festive. The relatively ráw soul throwback Thát Girl adds á slight Southern tóuch and does nót wander. Suit Tie, á lighthearted and goofiIy dashing throwback, sérves the same fIirty dancefloor purpose ás Rock Your Bódy, drawing from earIy- to mid-70s soul instead of late-70s disco-funk. ![]() Its far fróm the only oné here -- a pIeasant and grówn but tedious reIease from a chárismatic entertainer and exceptionaI vocal arranger whó is not á great recording ártist.
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